Oct 14th, 2012, 23:31 | 只看该作者 #3 |
wicked witch of the north
注册日期: Nov 2005
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古典派不是我的茶,等童话来评了。 我只能说,比例,线条,色彩,光影,构图都一丝不苟。相机照出来也不过如此。你看背景的石墙,台阶,圣殿,透视比例肯定都精确测量过,显示出画家高超的功底。 题材也是跟宗教有关:圣母表情庄重,圣子肌肤圆润粉嫩,金黄色带卷卷的头发,正宗圣族应该有的形象。处处显示出皇家庄严肃穆的气氛。这种作品在当年应该很受欢迎的。 |
The only question with wealth is, what do you do with it? - John D. Rockefeller
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Nov 10th, 2012, 13:10 | 只看该作者 #7 |
Senior Member
注册日期: Apr 2010
住址: 蜜思莎家
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Google了一下
The Holy Family on the Steps, 1648 Oil on canvas Nicolas Poussin (French, 1594-1665) The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund 1981.18 Seated at the base of a staircase, the Virgin holds the infant Christ, who reaches for an apple offered by the infant John the Baptist. John's mother, Elizabeth, is seated at the far left, while the Virgin's husband, Joseph, draws with a compass, an allusion to the carpenter's trade and a traditional symbol of God as the architect of the universe. Artists are also associated with the compass, which suggests that their creative powers are divinely inspired. Placing the Virgin and Christ Child at the apex of a triangle, above the earthly level of the basket of fruit and the viewer, signals their role as the gateway to the ideal, heavenly city above. Although born in France, Poussin spent much of his career in Rome. His lucid compositions, geometric forms, and intellectual themes set the standard for the neoclassical revival of the 1600s and laid the foundations of French academic theory. |
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Nov 11th, 2012, 08:56 | 只看该作者 #8 |
华枫首席感慨哥
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圣母海蓝色裙子作为大色块的织物,散发出醒目的光泽,似乎被婴儿耶稣所散发出的神圣感所照亮,给人一种蓝色海水的感觉(这里是否与维纳斯的诞生以海水为背景类似呢?)。而且耀眼的蓝色织物与画面中蓝色天空与夺目的白云相呼应,成为画面庄重而活泼的色调主题。 画面前方的人物位置与目光的交错,行成了一种稳定内在构图。婴儿耶稣低垂的目光,圣母向远方的凝视,施洗约翰与其母仰视的目光,以及代表人世诱惑与智慧的苹果,赋予画面丰富的宗教寓意。 而约瑟夫则被处理成比建筑物背景还要黯淡的阴影,作为世俗社会中的符号,成为画面叙事结构中的阴暗平衡元素。 画面中的橘子树和水果篮的位置摆放,虽然是一种点缀,但为无生命的整体建筑背景添加了活泼而有生命力的元素。而也正是这些鲜艳的水果,暗示出整幅作品的欢快主题。 两个细节要注意的就是圣母右侧肩膀的背景是石阶的阴影,而这沉重阴影的使用是为了凸显圣母红色的衣服。通过黑色与红色的强烈发差,大红色块变得更突出,红蓝融合在一起,散发出浓重的宗教寓意。 婴儿基督头部的背景是方形的石门,一个近乎完美的灰色方形笼罩着婴儿基督的头部。这个方形的轮廓,恰恰是画面中特意加重的主题暗示:初生的耶稣,代表人类的智慧和神的怜悯。 |
张是张三的三,三是张三的张
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